Beyoncé leads 2025 Grammy nominations, becoming most nominated artist in show’s history

“The breadth and the variety of genres represented in the general field feels new and really exciting,” says the Recording Academy CEO and President Harvey Mason jr. He credits an active and evolving voting body for its success. “We’ve been very intentional in how we looked at and tried to rebalance our membership. So not just gender or people of color, different racial makeup, but also genre equity and trying to make sure that all different types of music in different regions and different locations are being represented in every way possible.”

Only recordings commercially released in the U.S. between Sept. 16, 2023 through Aug. 30, 2024 were eligible for nominations. The final round of Grammy voting, which determines its winners, will take place Dec. 12 through January 3.

In the best new artist category, Carpenter and Roan will go head-to-head, alongside Benson Boone, Doechii, Khruangbin, RAYE, Shaboozey and Teddy Swims.

In the song of the year category, Beyoncé is joined by Eilish with “Birds of a Feather,” Swift and Post Malone with “Fortnight,” Roan’s “Good Luck, Babe!”, Carpenter’s “Please Please Please,” Lamar’s “Not Like Us,” Lady Gaga and Bruno Mars’ “Die With A Smile,” and Shaboozey’s “A Bar Song (Tipsy).”

Shaboozey is also a first-time nominee. His “A Bar Song (Tipsy)” is the biggest song of the year, having spent more weeks at No. 1 on the Billboard Hot 100 than any other — it is so popular, a remix of the track is also up for remixed recording.

Elsewhere, Shaboozey is nominated in the melodic rap performance category for his feature on Beyoncé’s “SPAGHETTII.” Linda Martell, the first commercially-successful Black woman musician in country, is also featured on the song, delivering the 83-year-old artist her first Grammy nomination.

For record of the year, “Texas Hold ’Em” will compete against Swift and Post Malone’s “Fortnight,” Eilish’s “Birds of a Father,” Lamar’s “Not Like Us,” Roan’s “Good Luck, Babe!”, Carpenter’s “Espresso,” Charli XCX’s “360,” and the Beatles last new song, the AI-assisted “Now and Then.”

“We’re trying to make sure we’re keeping up with how music creators and our community are using technology. And in this case, AI enhanced the record and allowed it to be eligible in the categories that it was eligible in,” Mason jr explains.

So, what’s missing? Like last year, there’s a huge dearth of Latin music — the fastest growing streaming genre in the United States — across the board, and no representation in the major categories. There are also only four entries in the best Música Mexicana album category, despite it also being one of the fastest growing genres.

And K-pop, too, seems to be absent. There are no nominations for the BTS members who’ve released solo material this year: RM’s “Right Place, Wrong Person,” J-Hope’s “Hope on the Street, Vol. 1,” and Jimin’s “Muse.” As a boy band, BTS has received five nominations across their career.

“I definitely see room for improvement across many genres and we are continuing to invite people to be a part of the academy,” Mason jr. says. “Without the right representation we don’t get the right results. When I say right, I mean reflective and representative of what’s happening in music today. So, the work continues.”

The 2025 Grammy Awards will air Feb. 2 live on CBS and Paramount+ from the Crypto.com Arena in Los Angeles.